After more than half a century on-screen it would be one of his last significant contributions to American cinema. But Gene Hackman , who tragically died alongside his wife Betsy Arakawa at their New Mexico home in February, was initially reluctant to accept a starring role in The Royal Tenenbaums following a dispute over pay. Speaking to The Times , director Wes Anderson says Hackman - at the time one of Hollywood's greatest living actors and revered for a canon of work that includes The French Connection, Unforgiven and Mississippi Burning - objected to being given the same baseline salary as every other actor on the cast. 'Gene was very annoyed about the money,' he recalled. 'He was furious. Also, he didn’t want to do the film anyway. I talked him into it - I just didn’t go away.' Hackman later accepted the terms of his contract - if not the relatively young Anderson's maverick techniques - as part of an ensemble cast after Oscar-winner Gwyneth Paltrow and Anjelica Huston signed up, having agreed to the same budget fee. 'And everybody else said yes to the salary, so Gene just went with it and - that just became our way,' he added. Hackman won critical praise for his role as the eccentric Royal O'Reilly Tenenbaum in Anderson's surreal 2001 tragicomedy about the mixed fortunes of three talented siblings. Also starring Ben Stiller, Owen Wilson, Danny Glover and Bill Murray, the film won numerous accolades throughout the ensuing awards season - among them Golden Globe and National Society of Film Critics' awards for Hackman. But despite its success and enduring popularity among film enthusiasts, Anderson admits his relationship with Hackman deteriorated as soon as the cameras stopped rolling. Asked if they had spoken prior to Hackman's death, he said: 'Not a word. In fact he left without saying goodbye. He was grumpy - we had friction. 'He didn’t enjoy it. I was probably too young and it was annoying to him.' Anderson - currently promoting new film The Phoenician Scheme in Cannes - believes the unorthodox script may have played a part in Hackman's cantankerous attitude on set, with the pair last communicating at the film's premiere. 'And he liked it,' the director recalled. 'But he told me he didn’t understand it when we were shooting. 'I wish I’d shown him ten minutes, early on. Then, maybe, he would have said, "OK, I get it."'
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